Holiday Tradition

by wjw on November 27, 2014

enhanced-buzz-wide-12757-1416923724-20It’s a Thanksgiving tradition, apparently, for people in the UK to fill out maps of the US.   Which has happened again this year.

They seem pretty good sports about it, too.

It seems a little unfair.  We don’t spend our Bank Holiday Weekends trying to identify Old Jersey, Old York, and Old Hampshire.

Apparently I live in the Breaking Badlands, which is more true than the anonymous cartographer knew.  Many younger people seem to think my name is “Walter White.”  (I heard myself called that in a cafe the other day.)

My roommate on the Sun Dancer last spring kept calling me “Mr. White”— at least when he wasn’t calling me “dude”— so one day I told him to go down to the engine room and spend all night cleaning it, and then we’d put on our scuba gear next morning and cook.

And speaking of cooking, please have a delightful Thanksgiving, whether you live in Middle Carolina, Palinaska, or Other Georgia.



by wjw on November 26, 2014

So who are these guys that I saw at one of the World War  II museums in Normandy?

They wear period uniforms of the Royal Navy, but they would seem to be Japanese hobbyists engaged in some re-creation.



Remembrance of Kings Past

by wjw on November 25, 2014

While noodling around on after admiring the John Picacio art on my story, I found an essay by the excellent and learnèd Ada Palmer on Shakespeare in the Age of Netflix, with emphasis on BBC’s recent Hollow Crown series, which I recommend as an excellent analysis of the problems of staging (or filming) the plays for a modern audience.  I can contribute little to the discussion except for some minimal insights by someone who once played Prince Hal onstage.

Not that this was produced in anywhere you were likely to see it.  The production wasn’t even in a theater, it was in the central atrium of a university office building.  Our student cast was motivated by a ferocious and transcendent love of the stage combined with an intense desire to get an A in our Shakespeare class.  ”Because our teacher told us to” is, I suspect, a relatively rare reason given for a production of Henry IV, Part I, but this was ours.

We didn’t even have a director.  The actors put the thing together out of bits and pieces, assembling our production as we went along.

It helped that we were all pretty pragmatic as actors.  We weren’t going through the psychic contortions of the Method: we were all pretty much of the “stand on your mark and say your goddam lines” school.  We all figured Shakespeare knew a lot more about his play than we did: we were there to illuminate his work, not to crowbar an interpretation into the text.

We did a lot of cutting, in part because we knew that at some point the English Faculty was going to want their building back.  But what we mostly cut was the stuff we couldn’t make work: if our Falstaff couldn’t make us laugh with a line, then out it went.  If a line didn’t work in our Henry IV’s East Texas dialect, we felt at liberty to cut it.

We had some swashbucklers in the cast, and we choreographed the hell out of the battle scene.  We got the University of Albuquerque to loan us a bunch of genuine broadswords, but they were so cut up during rehearsal that we didn’t dare use them in performance— we were afraid one of the swords would snap and fire razor-edged shards into the audience.  The final performance was done with fake swords, which did not ring but clatter; but the choreography was still damned good, except for a bit where Hotspur’s shield was supposed to get knocked off his arm— which it did, but then the damn thing landed on edge and rolled offstage into the wings, and the audience watched the rolling shield instead of the actors, so by the time we resumed the fighting we were foaming mad, utterly homicidal with frustration and despair, and it showed, and we really knocked their socks off.

I didn’t devote a lot of time to worrying about “interpretation.”   I honestly didn’t care whether the audience liked Prince Hal or not— if he plotted ahead of time to spurn Falstaff, it was only balanced by Falstaff’s own treacheries—  but I remember I was petrified by Hal’s speech over Hotspur’s body.  I knew that this one speech was key to Hal’s character, as I understood it anyway, and I couldn’t make up my mind about it, and always made some excuse or other not to have to speak the lines during rehearsal.   The first time I spoke the words aloud was during performance.

I kept in mind Hal’s prayer in a later play, Henry V, on the eve of Agincourt, where he begs God “not to-day, think not upon the fault my father made in encompassing the crown.”   Hal’s father was a usurper and murderer, whose treachery was repaid by more treachery.  My Hal’s reaction to this was disgust— he loathed having to be the son of a usurper but duty-bound to support him anyway, in part because the other guys were worse.  He hung around Falstaff because it was a kind of mortification of the spirit— he felt he deserved nothing better.

So when I finally gave the speech— “When that this body did contain a spirit, a kingdom for it was too small a bound; but now two paces of the vilest earth is room enough”— I gave it all the loathing and disgust I could.  People were kind of startled, ever having heard it that way before.  I staggered off and collapsed, possessed by the notion that I’d somehow got away with something.

We threw the thing together, and it worked, in part because we were nineteen and fearless and didn’t realize our own limitations.

My memory isn’t entirely clear on this, but I believe the cast party was truly Falstaffian in scope.


{ 1 comment }


by wjw on November 24, 2014


From St.-Malo cathedral, the sun shining through a rose window onto an arch.

Pretty, ne?

{ 1 comment }

Indoor Entertainment

by wjw on November 21, 2014


If you live anywhere in North America, the overwhelming likelihood is that your weekend weather forecast is going to completely suck, and you’ll probably be spending most if not all of the weekend indoors, where it’s warm.

Lucky you!  That means you can brighten your weekend with a brand-new story from me, and it’s free on

This is a Wild Cards story, but I don’t think you have to be familiar with the Wild Cards universe to enjoy it.   There are only two things you need to know: (1) there are super-powered beings called “aces,” and (2) there’s a superhero-themed reality show called American Hero.

Oh yeah, and you also have to know that there’s this place called Hollywood that makes movies.  So there you go.

Have fun!


Let Toolbox be Toolbox

November 21, 2014

Time for a reminder/brief rant reminding you that Taos Toolbox, the master class for SF & Fantasy, will be accepting applications starting December 1. If you’re serious about building your career as a writer, you might want to start putting your application together.

Read the full article →

Reviews Too Late: Solemnity

November 18, 2014

While I was traveling, I caught up with some recent pop-culture blockbusters (by watching them on airplanes), and now I have a question: Where did all the damn solemnity come from? When you watch a genre film, there are certain things you have a right to expect from that genre.  And when you find that these […]

Read the full article →

Meanwhile, in an Alternate Present

November 15, 2014

While I was abroad I had a story published and didn’t know it.  My story “Road Kill” is now available in the the latest Wild Cards collection, Lowball, edited by George RR Martin and Melinda Snodgrass. Pretty nifty cover, ne? If you’re unfamiliar with the Wild Cards universe, I’d suggest that you not start with this one, […]

Read the full article →

Listen to Me Talk For A Whole Hour, Nearly

November 14, 2014

This week I was on the John Mac Radio Show, and I talked for nearly an hour.  If this is of interest, I urge you to check it out. I was late in turning up for my own interview, so there’s a certain amount of vamping at the start, for which I apologize.

Read the full article →


November 11, 2014

I’ve been back in New Mexico for several days, slowly recovering from jet lag and the fact I moved from sea level to 5000 feet in mere hours.  The Williams Invasion of France and the Middle East is definitely over. Kathy had to turn right around and fly to the East Coast, because her Aunt […]

Read the full article →

Contact Us | Terms of User | Trademarks | Privacy Statement

Copyright © 2010 WJW. All Rights Reserved.